And freedom devolved into excess

Mixed media on canvas, 90" x 60"
I was at an art show a few weeks ago and got to watch, over the course of four days, a muralist cover a wall from start to finish. The section he worked on was probably 12' x 40' and while he had everything worked out and his approach was very graphical, it was impressive to watch the way he knocked out the piece.

I managed to sell a little work of my own and as I'm wont to do, I put some of the cash right away into new materials just as soon as I was back home. The first of the supplies was a big piece of canvas and a pile of wood to make stretcher bars of a sort I could disassemble, fold, and transport in my relatively compact Mazda5.

I've been on a bird kick I don't quite understand and here's the work I managed to produce. It's a smothering panoply of cute little symbols of freedom, flapping about in every which direction over my typical urban backdrop. It's reminiscent, I think, of Hitchcock's The Birds, supposedly based on the Greek myth of the Furies, the female deities of vengeance. I like that connection given all the Kavanaugh BS and #MeToo in the news these days.

In real life rather than shrunken down on a screen in front of you, the painting's larger scale pulls you into its world more than you might expect, a bit like a stage set. Actually, it's a little eerie to stand beside, but that's a quality that appeals to me.

Anyway, I liked working this large so much that I'd like to do more, just need to think how not just in a material sense but also a conceptual one, because up-scaling does shift how you think about what to depict and why. On that point, more to come shortly.

Hope it's a great week!

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